years 60's

nr: none

Piezoelectric microphone from English manufacturer that we don't know much about. It's made of metal and its shape is adapted to being handheld. Apart from the logo, it doesn't have any labels with the model or series. Connected with a flexible cable with an XLR connector. Works well.

years 60's

nr: 926842

Another Acos. This time we have found the symbol and serial number on the base. Probably... Correct us if we're wrong. Piezoelectric microphone, wholly made of plastic. The cable with a jack connector.

years 1950s

nr: none

A small bakelite Acos production without stand and handle. A low-priced piezo microphone intended for communication or amateur recordings.The cable has a 3-pin DIN plug. Our model does not have a back label or serial number.

years 50’s

nr: 111104

A dynamic cardioid microphone. The twin brother of Telefunken from our collection with the same model designation. Beautifully made device with an extremely aesthetic appearance. Our copy looks like new. There is a speech/music switch on the back panel. The cable ends in a DIN plug.

years 60's

nr: 44742

The twin brother of Telefunken structure with the same designation. Plastic dynamic microphone with gold-plated grill. In the lower part of the body - the socket for the tripod. On the back side - unusual, three-position switch music/speech/telephone effect. All in excellent condition, complete with the manual and the box. Din 3-pin cable.

years 60's

nr: none

Exceptionally sturdy, 100% metal AEG microphone model from the 1960s. A plastic switch in the upper part. A socket of a kind unknown to us on the back wall - with three pin holes. Elastic cable with a three-pin DIN plug.

years 80's

nr: none

A miniature stereo condenser microphone. Japan’s ultimate in miniaturisation of those years. A sleek metal body reminiscent of times when lighters of similar texture were made ;) Neat and impressive design. The cable terminates with two 1/8” jack plugs. Battery powered.

years 60's

nr: none

A beautifully-made Japanese dynamic microphone. The structure is completely made of metal and is placed on an adjustable base. Valued by harmonica lovers both due to its sound and size. 3-pin DIN connector.

years 70's

nr: none

A plastic dynamic microphone on a neat stand with metal inserts. 50 kOhm resistance, a sturdy, stiff cord ending in a 1/4” jack plug. One of the typical 1970s series by this Japanese manufacturer.

years 1950s

nr: none

Japanese dynamic microphone with an intriguing shape made entirely of metal. Connected via a 2-pin socket. Switch on the base. Our piece comes with the cable and the box, kept in perfect condition. The only thing missing is a stylish base.

years 1970s

nr: none

The dynamic Aiwa DM-51 made in the 1970s set on an original solid metal base. The microphone itself is carefully made, the switch is embedded in the metal part. 2-pin socket. Our piece is in more than good condition, in the original but worn packaging.

years 60's

nr: none

A microphone with a double plug, designed to be used with a Japanese dictaphone recorder. Made of metal, resting on a wire support. A switch located on the front wall. No further information available on the microphone.

years 1960s

nr: 2012437

A hearing aid microphone manufactured in the USSR around 1965. The earpiece is missing from the set, which should be connected to the upper part of the body. The steel structure, with two D-0.06 batteries, is equipped with a convenient tag. It allowed for output signal at a level of 60 and 128 db.

years 1970s

nr: none

Another microphone from a Japanese brand, produced in the late 1970s and early 1980s. Capacitive design made entirely of metal, powered by a 1.5V battery. Including a solid steel base with handle and wind protection cover. All sold in artificial leather case. Large Jack cable.

years 80's

nr: none

A condenser mike made in Japan. Quite solidly designed and mounted on stable support. Battery powered. The body features a switch. The cable ends in a 1/4” jack plug.

years 60’s

nr: 462

The absolute Holy Grail of the brand's portfolio. A superb tube condenser microphone, the replacement for the legendary C12, yet a completely new design ahead of its time. Phenomenal, unmistakable sound. Our copy packed in the original box, powered by the original power supply and connected with the original cable. One of the most precious examples in our collection.

years 1960s

nr: 81599

A dynamic microphone with cardioid characteristics equipped with a 50 Hz, -7 dB and -20 dB filter. A solid structure with universal sound values. One of the most successful models from the Austrian company, which is still used in studios and on stage. 3-pin DIN socket.

years 60's

nr: none

A valued dynamic microphone made in Austria. This is the gold version. A solid, metal device made with attention to detail. Legendary sounding. The same model David Bowie used live on his tour of Ziggy Stardust. The body features a B/M/S switch. Our microphone is slightly scratched, but works perfectly. Contains a DIN receptacle.

years 60's

nr: 10016

A beautiful squarish one by AKG. It has an m/s switch at the back, which enables you to set up the microphone for receiving speech or music. The cable features a 3-pin DIN connector. At the bottom, there’s a hole for mounting the mike on a stand. A rather rare find in a beautiful condition.

years 60's

nr: 77727273737

A dynamic microphone made by an Austrian company and world-renowned as one of the best tools for recording bassdrum. Frequently used when recording bass instruments. Our version has an in-built switch, which, when engaged, gives no audible effect. Currently, one of the best-priced dynamic microphones.

years 1960s

nr: none

The D 125's full metal construction gives it durability on stage and in the studio. And that is what it is just created for. The simple form conceals the dynamic microphone for vocals, volumes, guitar amps etc., still valued by sound engineers. Connected using a standard XLR cable. Perfect condition.

years 70's

nr: none

As usual for this Austrian manufacturer, the craftsmanship is of high quality. The microphone is solid, excellently crafted, the grill is covered with fine balls like model M640 N. XLR socket. In perfect visual and technical condition, sounds very good.

years 70s

nr: none

The dynamic microphone completely made of metal with a convenient shape of a “finger”. It is characterized with a warm and rich saturated sound especially as regards medium tones. A well-liked option in the studio. An XLR connector.

years 70’s

nr: none

A solid item in the Austrian manufacturer's catalogue. Supercardioid stage vocal microphone from the 1970s. According to musicians, it will also handle bass and drums very well. All-metal. Connection: XLR plug.

years 60's

nr: 1705

One of the most valued dynamic microphones and one of the jewels of our collection. Packed in a stylish wooden box. A studio standard in the bass recordings. A switch on the casing which makes it possible to regulate the strength of the signal. The microphone is equipped with a peculiar, currently absolete, 3-pin socket AKG DIN connector

years 80's

nr: 10798

A dynamic microphone, wholly made of metal. A small but solid Austrian design connected with a cable with a 3-pin DIN connector. An attractive-sounding AKG item for the stage and studio. Comes with a box.

years 50s

nr: 2062

A well-preserved dynamic microphone from the D-25 series. One of the most characteristic models of this company, often used by European filmmakers. Also valued for the quality of workmanship and sound qualities. Basic equipment for European concert halls and radio studios of those years. Built-in db silencer. Cable terminated with XLR plug. Our piece is in perfect condition in the original packaging.

years 80's

nr: none

A very odd microphone from AKG’s portfolio. A low-budget, plastic design with an on/off switch.  The cable ends with a double mono 1/8” jack plug.

years 60's

nr: none

Miniature dynamic microphone by well-known Austrian manufacturer. Fits greatly where we don't have space for big, solid structures. Due to its characteristics, it has no problem with catching the source in noise. Often to be found in PCR on talkback. Entirely metal. Connector - small tuchel.

years 60's

nr: none

The stereophonic dynamic microphone is produced in Austria, praised for its sound qualities. It allows recording the sound from two capsules at the same time or disconnecting them in two separate microphones. All is made of plastic, originally on another tripod than the one in the photo. Din plug comes with 6 pins. The original box.

years 70's

nr: none

A cheap Austrian dynamic microphone from the 1970s. A wire base allows for placing it on a flat surface. Made of plastic. The cable with a 3-pin DIN connector at the end. Our microphone is in perfect condition.

years 40's

nr: 7131

The first microphone under the AKG brand. Hand-made in the 1940s. Wholly made of metal. The handle allows for installing it on a tripod. It was placed on a metal base in the original. Unfortunately, signs of the passage of time can be seen on our piece.

years 1940s

nr: none

The second piece in our collection is from the pioneering series DYN 60K. This symbol marks the first microphones created under the AKG brand. It's probably a Studio model. Socket in AKG 3 PIN format. Unfortunately, it requires interior refurbishment. Ryszard Szmit gave us this piece in the original packaging! Thank you Rysiek! Love!

years 40’s

nr: none

This is the third DYN 60K in our collection. This time the first AKG signature microphone features a silver 'head' finishing. The socket is obviously in the rare AKG DIN format withdrawn many years ago. Very good condition.

years 60's

nr: none

Twin brother of the AKG D12. Manufactured under licence by Echolette (subsequently Dynacord) with the name Select Master 12. One of the nicest and best-sounding microphones in our collection. Worth recommending to any bassist and drummer. XLR connector.

years 70’s?

nr: none

A solid and surprisingly heavy dynamic semi-cardioid microphone.There is a pure metal under the fake wood cover. Single-pin wire socket. Tripod holder and cable with large jack plug included. Sadly, we don’t know anything about this construction. The only clue relates to the brand itself. Ando is the name of one of Japan's well-known and distinguished acoustic scientists, Ando Yoichi born in 1939. Is this his brand? We don't know.

years 1990s

nr: none

This small microphone from Apple came into our hands by accident, and we decided to add it to our collection, although it is from the 1990s. The monophonic design was made in Japan, and interestingly it has a built-in amplifier powered by an extended Jack plug. Compatible with Apple PowerMac computers.

years 70's

nr: none

Astatic D104 from the Silver Eagle series. One of favourite microphones of American hams. Installed on a G-Stand by the same manufacturer. A convenient, broad switch. The cable with a 4-pin DIN connector at the end. An eagle is engraved on the back of the housing.

years 70’s

nr: none

Astatic D104 microphone with T-UG8 base with convenient on/off switch. One of the favourites of American shortwave radio operators. Solid and comfortable. We already have one D-104, but this one is different with the decal engraving on the "back". The eagle and the inscription "Burning Flames" are not the same this time.

years 60's

nr: none

Beautiful and very reliable dynamic microphone from the United States. The twin brother of more popular Electro Voice 630. It works perfectly with electric guitars, vocals and harmonica. Entirely metal. Our piece is distinguished by its perfectly preserved strainer/pop filter.

years 60's

nr: none

Preserved in excellent condition and, as every Bang & Olufsenm product, characterized by top quality craftsmanship. Wholly made of metal, stereophonic ribbon microphone. It is possible to disassemble it into two independent parts. The upper part is set on an adjustable ring for setting the stereo base. The speech-music switch and the silencer complete the full picture.

years 80's

nr: none

Well-preserved dynamic reporter microphone, manufactured by BEAG company, distributed along with Machlabor - Hungarian tape recorders. Within a set, there is a telescopically pulled apart stand on a tripod. The stand reaches up to about 75 cm. Many thanks for Bar Nashtov for helping in identifying the construction!

years 50's

nr: none

A piezoelectric microphone preserved in good condition, made in the USA by the Shure Brothers Company. Clone Shure 710 REX and Shure CX80C. It is made of all metal: very solidly made. The cable with a 3-pin DIN connector at the end.

years 1960s

nr: 7441

A dynamic microphone in a slim but completely metal housing. It surprises with a wonderful, characteristic vintage sound. It is like a good old tube radio. Connection - 3 PIN socket. Our piece is in very good condition and in the original packaging.

years 60's

nr: none

Very cool sounding, built entirely of metal, dynamic microphone. The cable ended with a 1/4" plug. The microphone came to us on the original, full-sized German tripod, which, unfortunately, we haven't been able to frame in the photo. It also has the original fastening. 100% operative.

years 50's

nr: 11262

A beautiful item. It is very rare and has a very interesting tone. It is one of the finest designs of this kind that were used in the 50’s. It was made with attention to every detail and unusual care. A very long lead ended with a CINCH plug, provided with an adapter, which unfortunately is not included in the set.

years 60's

nr: 17584

A very well preserved dynamic microphone. Despite its small size, it is saved by its technical parameters. An elder brother of the M640N model. Quite heavy, made partly of metal, with a plastic body. Threaded Tuchel mini socket.

years 50s

nr: none

Another dynamic microphone from the German producer, which is praised for its sound qualities and does not cost a fortune. Worth considering it for guitar recordings, for example. Visually similar to the M55 and M81. Our piece all made in metal stands on the original solid base. DIN 3 pin cable.

years 60's

nr: 17118

A very well-made, strikingly sturdy-looking, though not yet tested. A gorgeous find, relatively rare at auctions. The body features a massive plastic switch. Connection by a Tuchel socket.

years 70's

nr: none

Solidly made, great sounding dynamic microphone from the 1970s, which is still being manufactured today. Our version is marked as N (T). With the on/off switch on the body. A tuchel socket plus a flexible spiral cable. The original on a tripod as shown in the pictures.

years 60's

nr: none

One of the few square mikes made by this company. A dynamic microphone made in West Germany with a 3-pin DIN connector. Our microphone has a slightly damaged body, but looks rather attractive. Being unable to make it work, we can’t assess its audio performance as of now.

years 60's

nr: 44878

A small-sized, high-performance dynamic microphone. Very convenient if you need a microphone in a place with insufficient room for a conventional-sized one. Features a small Tuchel connector. Please note that the design is very neat and solid, which in combination with quite an interesting sound, may be an advantage.

years 70's

nr: none

A solid, sleek dynamic microphone on a plastic tripod stand. A metal body. Sold at various auctions for a good price. Suitable for home or conference use, it offers a really good sound. The cable has a 5-pin DIN connector.

years 70's

nr: 11153

One of flagship models from the Beyerdynamic Company. A dynamic microphone used for recording drums, electric guitars, wind instruments and also vocals. Made of plastic and set on a solid metal base. An atypical mount can made it difficult to use for pieces without the original bracket 3-pin DiN socket.

years 70's

nr: none

A French dynamic microphone used for stage and in the army. It was sold in a set with a high and conference stand. We have the latter. A sturdy metal base, switch on the body. Very good condition.

years 70's

nr: 532607

Highly sensitive and maximally linear microphone by a Danush company Bruel & Kjaer, currently known as DPA. Used in volume measurements in industry, services and in studios. Still sought after and used. Packaged in little wooden box. Complete with a calibration document and bandwidth chart. It needs a suitable preamp to work.

years 50s

nr: none

A lightweight bakelite microphone by the Crescent brand, active in the USA in the 1940s and 1950s. The company supplied gramophones and reel-to-reel tape recorders to the American market. Junior microphone was probably added to one of the latest ones, meant for younger users. How did it get to Poland? We don't know.

years 20’s

nr: none

A fascinating vintage hearing aid from the 1920s. Metal microphone with battery power handle, equipped with a power amplification switch and a metal earpiece. Our copy is preserved in excellent condition, packed in its original box with a manual.

years 60’s

nr: none

A Japanese piezoelectric microphone made entirely of metal. Selling also in other markets under the names Slim or Philmore. On/off switch on the body. Connection via a 1-pin cable, typical of Japanese and American designs.

years 70’s

nr: none

A Japanese, relatively inexpensive dynamic microphone from the 1970s. All made of metal. Dual impedance 600 and 50 ohms. On/off switch on the body. Our unit is in perfect condition in the box. Connection via 4-pin socket.

years 70's

nr: none

A dynamic microphone manufactured in Buchanan, mostly made of metal. Connected by means of a cable with a one-pin connector. Our piece is in perfect condition. Only the base had to be borrowed from a Turner 33 D.

years 50's

nr: none

A popular and relatively inexpensive American dynamic microphone from the 1950s. It is suitable for the stage and studio for recording vocals and the electric guitar. Wholly made of metal, connected with a cable with a 4-pin connector. We got it together with an original cable.

years 1990s

nr: 934430101

Supercardoid American design from the beginning of the 1990s (Made – with pride – in the USA). Well-known and valued in recording studios, it is suitable for recording drums, electric guitar and wind instruments. A movable head allows the optimum arrangement of the registration angle. Made of metal. An XLR cable socket.

years 50's

nr: none

An American crystal microphone, wholly made of metal. The spherical design makes it easy to collect signals from the broadest angle possible. Used for communication, in sound systems but has also been seen in the company of ta harmonica. Excellent condition. We borrowed the base from a Turner 33 D.

years 50’s

nr: 2273

A rare piece to be found at auctions. A Danish condenser microphone by Eltra. Probably a part of a set with a beautiful tube reel-to-reel tape recorder model 950. Interesting fact: in the upper part of the "back" there is a music/speech switch in the form of a pull-out/push-in pin. We have not decided to test it yet.

years 60's

nr: none

A small, plastic dynamic microphone with a tripod socket at the bottom. Manufactured by F&H Schumann for the German and Belgian markets. A rare example. It is more often seen with the logo of the popular Ronette brand. An accessory for a reel-to-reel tape recorder. The cable finished with a non-original little jack plug.

years 1970s

nr: none

Italian dynamic microphone for stage use. All-metal, solid construction with a 3-pin socket. The FBT Elettronica SpA company has been producing audio devices since 1963, and its headquarters is in the Italian city of Recanati.

years 40's

nr: none

Small dynamic microphone by an American manufacturer, built in Milwaukee. Unfortunately, we were unable to reach the model name. The only trace is patent number: 2460408. The device is fully operational, in excellent visual and technical condition. It amazes with the quality of the transmitted signal, sounds really great. We provide the production date at a guess.

years 1970s

nr: none

A miniature dynamic microphone from the Japanese company Foster, which is probably an addition to the recording device of this brand. Equipped with a metal tripod, leather pouch and cable ended with a 3.5 mm mini jack plug. The name Foster is little known on European markets, although it has been present in Japan since 1949. It is still active in the audio industry.

years 70's

nr: 61167

A renowned dynamic microphone made in Germany. A no longer existing company, which used to be a subsidiary of the German R-F-T corporation. The microphone is still used today in studios and recommended due to its interesting sound performance and solid design. A Big Touchel receptacle. Fixing on a stand may be a problem because of its untypical form factor.

years 50's

nr: none

A small-sized piezoelectric Funkwerk Leipzig microphone made entirely of metal. Made in the 1950s. Quite common in auctions. The cable ends in a 3-pin DIN plug.

years 60's

nr: none

The microphone comes from eastern Germany and probably was sold in a set with part of the audio equipment of the manufacturer. It is in a very good condition. DIN cable. We were unable to find more information about it.

years 30's

nr: 10017

One of the most beautiful microphones in our collection. Excellent condition, designed both for industrial and musical environments. Great looks, relatively rare at auctions.

years 1970s

nr: none

Metal electret microphone of a popular German company. Equipped with a delicate plastic stand. A curious thing in the body! A switch between omnidirectional and cardioid characteristics. The cable ended with an unusual DIN 6 plug, enabling the connection of a power supply and recording device.

years 50's

nr: none

One of the nicest-looking models made by Grundig, manufactured from 1956 to 1957 in two colour versions. Our model is the brown version, the blue version is also available. Interestingly enough, this is a condenser, not a dynamic microphone. We don’t know what it sounds like – we need a suitable preamplifier to this end. A braided cable ends in a 3-pin DIN connector.

years 50’s

nr: none

This is the second GCM 3 in our collection, this time in blue. It also appears as GKM7. A condenser microphone, powered by 70V, typical for reel-to-reel tape recorders. One of the most beautiful Grundig constructions, it still impresses with its design. The whole set on a stylish base. Braided cable with DIN 3 pin connector.

years 70's

nr: none

A stereo microphone completely made of plastic with 20 V power. The structure allows for separating both capsules. The cable with a 6-pin DIN connector at the end.

years 60's

nr: 078655

A plastic structure with the Grundig logo from the 1960s. A specimen kept in good condition, with a braided cable with a DIN connector at the end.

years 50's

nr: 816

A bakelite Grundig microphone from the 1960s. A gold-plated grill with a beautiful logo, which you can download as wallpaper. Considering its age, the equipment delivers surprisingly good recording quality. An inflexible, rather stiff cable with a DIN connector.

years 60's

nr: none

A dynamic microphone made of plastic, featuring a braided cable with a 3-pin DIN connector. Gold-plated mesh grille. Like GDM 15, it was sold in a very elegant metal box.

years 60's

nr: 08402

One of legends created by this German manufacturer and one of their best microphones. Comes in two colour versions – gold and silver. Its twin brother, regarded as one of the best dynamic microphones worldwide, is Sennheiser MD 21. Brilliant, unique sound. Still sought after.

years 60's

nr: 099561

One of classic square mics supplied with reel-to-reel tape recorders made by Grundig. A plastic body on a metal support with a silver-coloured grille. Sold in a stylish box. A braided cable with a 3-pin DIN connector.

years 70's

nr: none

A dynamic microphone of a German square mic series in a unique, plastic box with a transparent lid. Nothing exceptional about the looks or the sound. The bottom wall contains a stand hole. The cable features a 3-pin DIN connector.

years 70's

nr: none

A plastic dynamic microphone with a rather non-standard shape. Packaged according to the fashion of the time in a plastic box with a transparent lid. Sadly, our microphone lacks labels which could provide details about the brand. The cable features a 3-pin DIN connector.

years 60's

nr: none

A smaller brother of Grundig GDM 316. They differ in the size and the type of stand. In this model, there is a wire structure with rubber clip. Wholly made of plastic. The cable with
a 3-pin DIN connector.

years 60's

nr: none

Another one from the series of German square-shaped microphones, in a transparent plastic box. The cable has a three-pin DIN connector. This dynamic microphone has no support or a holder for placing it on a tripod. It is intended for working in the lying position. Just like me.

years 60's

nr: none

A plastic dynamic microphone. Originally it was supported on a wire stand. Unfortunately, it is not included in the set. Due to its tonal properties and a fairly attractive price, the set is popular among harmonica players. DIN plug with three pins.

years 70's

nr: none

GDM 318’s twin brother. A dynamic microphone with an almost modern shape. Designed and working in a similar way to other budget models by this manufacturer. Packaged in padded plastic box. The cable ends in a 3-pin DIN connector.

years 70's

nr: none

A plastic dynamic microphone from the GDM line. Packed in a durable lined box. A light and well-crafted construction. The cable has a three-pin DIN connector.

years 60's

nr: none

A plastic dynamic microphone mounted on a tripod. Nicely designed, packed in a cardboard box. The sound it offers is really mediocre. The cable ends in a 3-pin DIN connector.

years 60's

nr: none

A dynamic microphone for reel-to-reel tape recorders, manufactured in the 1960s in Germany. Our microphone lacks the originally supplied standard Grundig stand. The sound, as we may expect, is not mind-blowing.  The cable ends in a 3-pin DIN connector.

years 70's

nr: none

Looks like GDM 313 – even the packaging is very similar. The only difference is the head finish. An average-sounding dynamic microphone. The cable ends in a 3-pin DIN connector.

years 60's

nr: none

A dynamic microphone from the 60s with a tripod stand. Packed in a padded box suggesting its higher value. :) An unscrewed cable is terminated with a socket with two pins at the body and a three-pin DIN plug. Operational.

years 60

nr: MB361118

Another microphone from the German manufacturer's Stenorette series. Grundig GDM 516 was intended for offices, courts, offices and everywhere where such recording devices were used. Body switch with a pause function after holding the position. Overhead operation light. 11 PIN serial connector. Our piece is in the original plastic box.

years 70s

nr: none

And one more Grundig microphone from the Stenorette series. Plastic construction made in Germany for Stenorette recording machines. A spring cable with a 1-pin plug. Our piece looks like brand-new, packed in the original box. In the set, we have found a metal hanger, but we have not found a way to attach it.

years 70's

nr: none

An untypical GRUNDIG microphone with a switch in the handle. Its most likely application was to be used in law firms, courts and offices. A coiled cable with a non-standard 10-pin serial connector. It was probably meant to fit shorthand machines (stenotopic). Hence the name, Stenorette.

years 1970s

nr: none

An older brother of the GRUNDIG GDM 75 also designed for Stenorette devices. How are they different? 752 has a different type of plug, two groups of pins 4 and 3 in one row, and a more advanced control system that allowed a “remote” withdrawal of registered material. In the upper part of the housing, a diode signalling operation of the device. Perfect condition.

years 1980s

nr: none

A miniature lapel microphone supplied with the Stenorette 2020 and Stenorette 2060 recording machines. Lightweight plastic construction with a permanently attached 2-meter cable terminated with a flat plug enabling power from the recording machine. Handle and fixing bracket included. Our piece is with the original case and instructions. Excellent condition.

years 1950s

nr: none

This Bakelite dynamic microphone from the 1950s is another piece from Grudig's GDM series. Preserved in good condition, set on a brass base with beautiful brand engraving. A cable with a signal amplifier, ended with a big jack, in a characteristic brown braid and with an unusual connection - two opposite pins in a twisted plug.

years 60's

nr: none

Grundig/Sennheiser GDSM 200’s smaller brother. A stereophonic microphone with great looks and an interesting sound. Highly recommended for recording electric guitars from the amp speaker. Movable heads for adjusting the sound. A handy, elegant white case. A very long cable with two DIN connectors.

years 60's

nr: none

One of the most popular stereo designs of the decade. Supplied with reel-to-reel tape recorders, this dynamic microphone by Grundig has had a few clones.  Similar designs were explored by the Polish company Unitra as well as Lowe. The cable ends in a 5-pin DIN connector. Sold for mind-blowing prices at various auctions overseas :)

years 70's

nr: none

Plastic, lightweight construction for hanging on a bracket. Dedicated for office recording devices. Recording switch on the body. Cable is ended with an unusual serial connector with five pins.

years 50's

nr: 06006

We know little of this Grundig, except that it looks identical to the Labor one with the same number. Relatively rare at auctions. Ours is badly battered, but we may manage to replace it with a more well-kept piece. A braided cable ends in a 3-pin DIN connector.

years 1950s

nr: 1270

One of the first dynamic microphone models produced by the Austrian company Henry Radio. An all-metal device, placed on a solid base, equipped with an on/off switch and a signal lamp. No connecting cable.

years 30's

nr: 75675

An enormous dynamic microphone entirely made of metal equipped with a solid transformer manufactured by Henry Radio. Set on a heavy cast-iron base. A clone of the SM 8F model manufactured in the years 1937-1941 by Siemens & Halske.

years 1970s

nr: none

A plastic microphone designed for portable recording devices from the Japanese brand Hitachi. Small size, simple but functional base, switch in the upper part of the body. A trifle, but decently made. Cable terminated with a two-bolt plug - a small audio and control jack.

years 60's

nr: 10608

A popular plastic design, this time by the Hornyphon Company from Vienna. We have two identical copies in our collection branded as Uher and AKG. There is a tripod socket in the lower part of the body and a speech/music switch on the back. 3-pin DIN cable.

years 1950s

nr: none

A simple plastic dynamic microphone from the Austrian company Hornyphon. A clone of the Philips microphone with the same designation. Cable with a 3-pin DIN connector. Good condition.

years 20's

nr: 233

One of the oldest specimens in our collection. Marked as Igranic Transverse Current Microphone No: 233 PAT No: 301441. On the internet, we find photos of the G5FK transmitter-receiver set with this microphone shown at the Radio Exhibition in 1932. Ours is even older. Unfortunately, the condition of the device requires reconstruction.

years 60's

nr: 8221

A small, solidly built and made all by metal Japanese dynamic microphone. We've seen this design before, we keep one in our museum under the name AIWA DM14. This Intel-branded clone looks very similar, except for a slightly modified base. The cable has a DIN 3-PIN connector.

years 1970s

nr: none

It would be hard to find a better kept model. Ours came in a box with a whole set of accessories. It includes: a microphone with cardioid and super cardioid capsules, two wind shields (sponge and net), a handle, a viewfinder, an AA battery, a big jack - xlr cable and a 5PIN adapter. Everything is in perfect condition. Comes with manual with date 1978.

years 50's

nr: 2116

Marked with a Labor W logo. Labor W was the name, under which Sennheiser was originally established.  A plastic microphone from the 1950s. Grundig MD 5’s twin brother. Better looking ones are difficult to come by, considering the body colour. An exceptionally thin cable ends in a conventional DIN connector.

years 70's

nr: none

A microphone identical to Grundig GDSM 331 and the Polish Unitra MDU 24. Stereophonic and dynamic. As usual in the case of Loewe, no number or model name present.

years 70's

nr: none

A microphone identical to Grundig GDSM 331 and the Polish Unitra MDU 24. Stereophonic and dynamic. As usual in the case of Loewe, no number or model name present.

years 60’s

nr: none

A small plastic dynamic microphone by the German brand Loewe. A cheap, useful construction, probably an attachment to a tape recorder. It has no tripod socket, handle or feet. It can only be put down. The cable has a 3-pin DIN plug.

years 70's

nr: 13752

With the Luxor Radio logo, Sennheiser’s design. A great-sounding, relatively heavy, solidly made dynamic microphone, with a broad range of applications. In perfect technical and visual condition. The bottom part with a tripod holder. The cable with a three-pin DIN connector.

years 1980s

nr: none

A stereo dynamic microphone on a tripod. Entirely made of plastic. 5-pin DIN connector. A very popular design. The following microphones were constructed on the basis of its licence Tonsil MDU 24, Grundig GDM 331 and Loewe Opta 2.

years 40's

nr: 73028

A dynamic studio microphone made in Paris in the 40’s. One of the greatest rarities of in our collection. It is very well preserved. The set includes an original plug with three pins. A handle makes it possible to support it on a stand.

years 60's

nr: none

We know little of this microphone. The name Merula is used interchangeably with Schumann and Ronette brands, which suggests a Dutch origin. Our microphone, however nicely preserved, has a replacement cable installed. Any information welcome.

years 60’s

nr: none

A small, all plastic dynamic microphone made by the National brand, today known as Panasonic. Part of a mobile recording kit. The WM-2051N has an on/off switch on the side, and is supported by a wire foot. The cable ends in two plugs - a mono audio mini jack and a separate one controlling the power supply. The set comes in a faux leather holster.

years 40’s

nr: FS 6189

Neal (Nederlandsch Elektro Acoustich Laboratorium) is one of the least famous Dutch microphone brands. Due to its similar design and period it is often confused with the popular Ronette. Our first unit from this producer unfortunately does not have a model name but only a serial number. Is made entirely of metal. Unfortunately, the cable socket looks modified. In the lower part there is a threaded place for a tripod.

years 70's

nr: none

A rather unwieldy plastic microphone by a German company Neckermann. A hole for mounting on a stand at the bottom. A DIN plug. No further information available.

years 70's

nr: 7689 + 1908

One of our more precious specimens. A  vacuum tube microphone CMV 563 with an omnidirectional insert M55K. In excellent visual condition, practically good as new. With an original box and a graph of frequencies. The cable socket with five pins.

years 70's

nr: 2730

An additional cardioid capsule intended for Neumann CMV 563. Installed using a socket with a centred stick and a lock. A very precious and searched element with an unforgettable shape.

years 90's

nr: 10493

Yes, you’re right... TLM-103 should not be here. But we have so few microphones by NEUMANN... :)

years 70's

nr: 30516

The flagship model of the German manufacturer. Excellent, almost legendary vocal and instrumental microphone. Respected throughout the world. The body can adjust three characteristics (omnidirectional, figure-eight, cardioid) a filter and a muffler. XLR connector. Our copy came in 1977 and has an original cover.

years 80's

nr: 8300

Highly regarded and commended. One of the last classic models among the condenser studio microphones. A natural, faithful sound makes it suitable for recording from many sources. Our microphone is in a rather good condition, it has quite an early serial number and the original basket.

years 50's

nr: 421

Beautifully preserved tube microphone with variable characteristics. Yet, unfortunately, we were unable to get an adequate power supply. Perfect condition, microphone appears to be unused. Original padded box included. A 6-pin socket.

years 30's

nr: 7915

A stylish Oben microphone from the 1930s. This item is in very good condition. Worn-out suspension rubbers needs replacing. Unfortunately, our microphone has no support.

years 70's

nr: none

A stereophonic microphone made by a Russian manufacturer. An original, quite heavy and solid structure. The set includes a metal stand enabling control of the position in 3D. A cable ended with a five-pin DIN plug. We recommend our meme with this microphone: here.

years 1970s

nr: 350271

A dynamic microphone from the Russian Oktava brand. Entirely made of metal, set on a base made of the same material. Our specimen comes from 1971; it came to us in perfect condition, in a box with an original seal.

years 1960s

nr: none

A plastic dynamic microphone manufactured by the Russian company Oktava in 1969. A plastic design on a fixed, integrated base made of the same material. Cable with a 3-pin DIN connector. Good condition.

years 60’s

nr: brak

Another Oktava in our collection comes precisely from 1960. A Russian dynamic microphone built entirely of metal on a base of the same material. Braided cable with a large jack plug.

years 70's

nr: 6495-73

A studio, dynamic microphone with super cardioid characteristics manufactured in 1979. Wholly made of metal. The original version has a plastic base. We only got a handle which allows for installing it on a tripod. 3-pin DIN connector.

years 70's

nr: none

A dynamic microphone, often used in the Russian army. The exact date of manufacture is 1977. Made in the Soviet Union. Made of plastic, embedded in a plastic base allowing vertical and horizontal adjusting. A DIN plug, three pins.

years 60’s

nr: 455

Beautiful and great sounding Russian ribbon microphone from the 1960s. Compared to RCA or B&O classics. Cardioid characteristic. Our copy is in very good condition technically, but visually slightly scratched. However, it is worthy of its presentation. Beautiful device. The cable with a fitted XLR connector. Ready to record.

years 1970s

nr: none

A stereo condenser microphone from the Japanese manufacturer with an integrated foot. Lightweight, made of plastic, dedicated for portable devices. Power supply from an AA battery. Two mini jacks at the end of the cable. The set includes adapters for a 6.3 mm jack.

years 70s

nr: none

Interesting stereo design from the best years of Panasonic. A carefully made aluminium-plastic body with a stand and two detachable dynamic microphones. In the box, you will also find a plastic tube, cap, changing one of the microphones into a hand-held device and a set of adapters small jack > large jack > 5 PIN DIN.

years 70's

nr: none

A Japanese dynamic microphone with a 1/10” and 1/8” jack plugs. Possibly an accessory for dictaphone recorders made by this company. No other information available.

years 50's

nr: 7575

A very nicely made Peiker Acoustic model. It is set in an ingenious manner by means of a ball socket on a plastic base. After taking it off we can set the microphone on a stand. The name of the model is missing at the front. The cable with a 3-pin din connector.

years 70's

nr: none

A visually unappealing early Philips microphone. A plastic body and a rather uninspiring design. Features a DIN plug at the end of the cable.

years 50’s

nr: none

One of the cuter and more interesting microphones from this brand in our collection. The slightly deformed grill spoils the visual effect, but besides that it looks good for its 70 years. And it really weighs a lot, since it's made of pretty solid metal. Surprisingly, it's an omnidirectional microphone, which is quite a rare case. We were fortunate enough to buy it together with the rare 4 pin connector.

years 1950s

nr: none

This Philips dynamic plastic microphone is not equipped with a stand, it was designed as a table-top microphone. This is also indicated by the rubber feet on the bottom of the housing. Cable with standard DIN plug, 3 pins. We have doubts about the name of this model.

years 70's

nr: none

A Dutch stereophonic dynamic microphone. The design perfectly matches the mood of the times. This microphone is sometimes used, e.g. when creating samples with the vintage sound of those years. Fairly popular, though increasingly less common. Features a 5-pin DIN plug at the end of the cable.

years 70's

nr: none

A simple, plastic dynamic microphone for home use made by Philips. To be mounted on a wire support. Packaged in a cardboard box. The cable ends in a 3-pin DIN plug.

years 50's

nr: none

Bardzo dekoracyjny model Philipsa z lat pięćdziesiątych. To jego logo widzicie na naszej tapecie tej marki. Plastikowy korpus, metalowa, złocona siatka grila i nóżka. Na tylnej ściance przełącznik mowa/muzyka. Kabel zakończony wtykiem DIN z trzema pinami. Model występował też z końcówkami numerów 01 i 00.

years 60's

nr: none

A small product by Philips, wholly made of plastic. The microphone is quite inconspicuous and light, connected by means of a very thin cable which has a three-pin DIN connector.

years 70's

nr: none

According to Philips’ engineers, this is what a modern 1970s microphone looked like. Indeed, you can’t say it’s not futuristic enough. A solidly built, stereophonic microphone with a cable ending with a stereo jack plug.

years 60's

nr: none

A small, lightweight, crystal microphone made of plastic with a rather interesting shape. An addition to Philips tape recorders. Apart from its original shape, it doesn't stand out in any special way. Connection cable with a 3 DIN plug.

years 60's

nr: none

A stereo-dynamic microphone completely made of plastic. As opposed to similar designs from this period, it does not allow for separating or changing the position of the capsules. 3-foot allowance for changing the position of the capsules are enclosed. A threaded tripod socket in the lower part of the body. Cable with a 5-pin DIN connector.

years 60's

nr: none

A dynamic Philips microphone manufactured in Holland. A small-sized plastic device. A standard-sized tripod opening at the bottom. A wire base. Elastic cable with DIN plug.

years 60's

nr: none

A dynamic microphone with an exceptionally attractive design. Mostly made of plastic but with a metal grille. There is a speech (-)/music (+) switch at the back. A tripod socket in the sidewall. The whole thing is equipped with a wire base. The cable with a 3-pin DIN connector at the end.

years 50's

nr: none

Beautifully made, dynamic metal microphone made in the Netherlands. A plastic switch built into the housing. A long, durable cable with a screw plug with one blade characteristic of the microphones of those years. On a heavy metal base. Perfect condition.

years 40's

nr: none

Table microphone, fully metal, placed on a base with a EL6202 serial number (you can find some versions on a round stand). At the bottom of its neck - a switch. Despite the fact that our model went through some cable modifications, it looks really nice.

years 50's

nr: none

A hardy attractive dynamic model from the 1950s. Definitely less popular than this company's other products. Wholly made of plastic on a detachable base. Golden grill made of a very thin metal sheet. The cable with a 3-pin din connector.

years 80's

nr: none

It is a piece from the 1980s, which is the very end of our interest. Lightweight, made of plastic dynamic microphone for amateur and semi-professional use. A switch on the body. Fixed cable, ended with a large jack plug.

years 70's

nr: none

One of professional reporter microphones from this manufacturer. Was greatly valued at radio stations in the days of yore. Wholly made of metal, quite small and light. Equipped with a clip making it possible to attach it to clothing and a string to hang it around the neck. XLR connector.

years 70s

nr: none

A simple dynamic microphone from the Dutch manufacturer and completely made of plastic. The set includes a foot made of the same material. The on/off switch is situated on the upper part of the body; the clip is at the lower part. The cable with two DIN connectors, with five and three pins.

years 70's

nr: none

A small-sized dynamic microphone with a switch. Enclosed in a smart plastic box. The cable ends in two plugs, a 3-pin and a 5-pin DIN.

years 1960s

nr: none

Another microphone from the N series of a well-known Dutch producer who is on our shelves. Simple plastic structure with attached wire foot and plastic tripod mount. DIN plug, 3 pin. Our piece is in a shop condition, packed in the original box.

years 70's

nr: 587

The full name of the microphone on the box is “Wide-band cardioid microphone”. A dynamic cardioid microphone. Lightweight, completely made of plastic, set on a plastic base. A mount with a tripod socket is an additional element. Our specimen is in perfect condition, packed in its original box.

years 70's

nr: none

Another stereophonic microphone from this manufacturer. The whole microphone is made of plastic. It was available in two colour versions - with black and silver finishing of membrane covers. Attractive desing and possibility of disassembling. Long elastic cable with a 5-pin DIN plug.

years 70's

nr: none

An interesting stereophonic capacitor microphone from this Dutch manufacturer. An exceptionally light casing wholly made of plastic with a plastic base allowing us to set both microphones at an appropriate angle. Powered with 1.5 V batteries. The microphone was connected with a cable with a 5-pin DIN connecter.

years 60's

nr: 54861

One of the absolutely legendary dynamic microphones of the 1960s. Twin brother of the AKG D 19 C. Both often called "the Beatles' microphones". Great sound qualities and a solid metal construction will work well in the studio and on stage. Ring for changing the tone characteristics speech/music. DIN 3-pin socket. A piece in perfect condition with its original box.

years 1980s

nr: none

The end of the 1980s is a real kingdom of kitsch. This is why we became fascinated by this dynamic Philips model that is regarded as a cult piece in some circles. We don't know why. It is completely made of plastic, manufactured in the yellow and red colours. Our specimen was photographed on a foot from the SBC 3030 model. There is a mini jack at the end of the cable.

years 60's

nr: none

This time a Philips made in Austria and not in the Netherlands. A simple, lightweight dynamic microphone made of plastic. Interestingly, it is equipped with a solid metal base. Although we received it in good condition, unfortunately we do not have a mount to install it on a tripod. A cable with a 3-pin DIN connector.

years ??

nr: none

There is quite a situation in this section. An unknown model from such a well-known brand? A metal microphone that probably is a part of a hearing aid. In the upper part of the body, a knob with a 5-step scale, a switch with three positions and M and T sockets. A socket marked with the letter ‘B’ on the side. The cable with an atypical connector, which reminds one of a mini jack. Do you know what it is?

years 50's

nr: none

Polish microphone made in the 50’s.  A plastic structure with a gold-plated grill, visually very similar to the German Grundig GDM 11. The cable is ended with a three-pin DIN plug.

years 50's

nr: none

The product of Polish work cooperative Piezoelektronika from Tychy draws attention with, among other things, its colour. As it appears from the manual, in addition to the pistachio, there are still 8 colours to choose from. We have the brown and the white versions. The microphone is all in plastic, with showy gold-plated grill. The twin brother of GDM Grundig 11. 5-pin socket.

years 50's

nr: none

A twin brother of Grundig MD5 and Labor MD5. Manufacturing date established by guesswork. Not much information available about this company, we’re still looking. The microphone has a rather untypical, green-coloured cable and an odd plug, which looks a bit similar to a 1/8” jack.

years 50's

nr: none

At a glance, the microphone looks as if it had a military application. It would perfectly suit a tank :) A simple, solid design, heavy, bulky and lacking in subtleties. Originally mounted on a different kind of leg. No other information available, manufacturing date was established by guesswork.

years 50's

nr: none

The second Piezo MX3 model in our collection, this time on an original base and in a blue-grey colour. Set on a solid base, quite big and completely made of metal. Cable without the original connector.

years 1970s

nr: none

The first wireless microphone in our collection. Manufactured in the 1970s by the Japanese company Piezo, it worked on FM waves and frequencies 881-106MHz. Partly metal construction, equipped with a switch, handle and detachable antenna. After disassembly, we can remove a part of the housing to get to the Lo / Hi switch and a container for two AA batteries.

years 70's

nr: W7426

Stereo microphone made in Japan by Pioneer. Very well-made, partly in metal, used to record in stereo in-home conditions. Cable terminated with two jack plugs. Ours, unfortunately, goes without the box and instructions.

years 1960s

nr: none

A metal, miniature dynamic microphone of the Japanese brand Primo founded in 1952 in Tokyo. Carefully made, mounted on a heavy metal base ending with a standard 3-pin DIN plug. Our piece is in perfect condition and original packaging. The Primo company exists to this day and still remains a significant producer of microphone inserts and speakers.

years 60's

nr: none

A tiny microphone made in Japan, probably for office use, due to a non-standard plug. No information about this company. Manufacturing date was established by guesswork.

years 1950s

nr: none

A metal microphone from the Norwegian Proton brand. Unfortunately, we do not know the model. It was apparently sold with a tape recorder. The design is encountered quite rarely. A tripod socket in the lower part of the housing. An unoriginal connector at the end of the cable.

years 60's

nr: none

An extremely interesting example. Part of the Minifon Special set manufactured in Hamburg in the 1960s by the Protona company, eventually acquired by Telefunken. Protona was specialised in... spy equipment! In some other sets you can find, for instance, a watch with a built-in microphone that 007 would be proud of. A switch on the side of the body. Luminous eyelet. The cable ends in an untypical 9 PIN plug.

years ??

nr: unclear

A simple plastic microphone from an award-winning American company. To our eye, it's a remake of an older model with the iconic dog Victor, the brand's mascot. We don't know what years it comes from. Barely readable number 906064 503 on the bottom and 637 underneath. 3-pin DIN connector.

years 70's

nr: none

Italian cardioid dynamic microphone. It was available as a standalone version and with a hand grip. Our copy comes complete with the original solid metal base and "gooseneck". A conference version. DIN 3 PIN plug.

years 60's

nr: none

The Italian dynamic microphone is from the sixties. Built entirely of metal, heavy and solid (about 500 g). The on/off switch fixed in the body. The fastening socket on the tripod, connection by small Tuchel. The piece is in excellent condition.

years 50's

nr: none

Entirely metallic body. A braided cable ends in a 1/4” jack plug. Date of birth established by guesswork. No information about the Recordio company. Model unknown. This item is in quite good condition.

years 70's

nr: none

A gorgeous dynamic microphone by a renowned manufacturer, Revox/Struder. Made of a combination of metal and plastic and mounted on a sturdy metal support. The body features a switch with volume control. The cable ends in a plug similar to RCA connector. Supplied with a 1/4" jack adapter. All packaged in a really cool box. Excellent, clear sound.

years 70's

nr: 42265

The cousin of BEYER M 201, valued at studios around the world with a linear dynamic microphone sound. Used mostly for drums and electric guitar. In metal, made in Germany, mounted on a solid cast iron base. XLR connector. Our specimen has the original packaging with the characteristic graph.

years 60's

nr: 000900

A heavy dynamic surround microphone made entirely of metal. A Tuchel connector. Our specimen is in good general condition although it has a few scratches on the housing. But it does have an original base, which does not happen very often.

years 60's

nr: none

Probably one of the ugliest microphones by this company :) A plastic, quite unwieldy body on a simple support. All in a grim, dark grey colour. Features a 3-pin DIN plug at the end of the cable.

years 70's

nr: 7027

An amazing RFT design from the 1970s. Small dynamic microphone in an unusual shape, made of plastic. 3-pin DIN socket. Our model has lost a bit of colour, but the technical condition is fine. The original microphone sold in a padded box. Unfortunately, ours does not contain this accessory.

years 70's

nr: none

One of series of microphones of that manufacturer, which were aimed at the mass market. We heard it was once a cult microphone in the German Democratic Republic (DDR) ;) Packed in a box with transparent lid and the emblem of the manufacturer - characteristic of the period. DIN cable.

years 80's

nr: none

A plastic dynamic microphone bought on 3 June 1986 - we got it in pristine condition. We know because we have the warranty card. The cable with a classic 3-pin DIN connector. The aesthetic, relatively durable and well-crafter base attracts attention. The whole microphone is in a leather-like case.

years 70's

nr: none

We learnt from the enclosed warranty that this plastic dynamic RTF microphone was manufactured on 24 August 1974. We also have the user instruction, should you need it. The specimen is completely made of plastic; it is set on a plastic base with a simple bracket. A 3-pin DIN connector at the end of the cable.

years 70's

nr: brak

A plastic dynamic microphone by RFT. Looks very similar to RFT 2413M. The only difference is the head colour – the 2412 has a silver one. Except for this detail, the 2412 does not have a permanently attached cable – the plugs into a 3-pin DIN receptacle.

years 80's

nr: none

A plastic dynamic microphone on a tripod with adjustable tilt angle. Surprisingly good- and clear-sounding. The 2413 model has a twin brother referenced 2412 N. They differ only by head colour and cable mount. In this model, the cable attachment is at the microphone, it is fixed and ends in a 3-pin DIN plug.

years 80's

nr: none

A plastic dynamic microphone very similar to its cousins 2412 and 2413. Switch on the body. The whole unit is permanently attached to a so-called gooseneck and ends with a Tuchel plug. Our specimen is in good condition, unfortunately without a manual and box.

years 1960s

nr: 36431310

A simple plastic microphone for speech recordings (Sprach-microphone). Cable ending with a 3-pin DIN plug. Our piece is in perfect condition. It came to us in an original box with proof of purchase. Thanks to this, we know that it was sold exactly on 24th of February 1965.

years 60's

nr: 6449

A very pretty, small-sized studio RFT microphone. Made entirely of metal, supplied in an elegant padded box. Plugs into a Tuchel connector. Information about its connections with Neumann is available on internet message boards. A relatively rare item at auctions.

years 60's

nr: none

This microphone was manufactured by Elektroakustik Leipzig belonging to the RFT Group. Made wholly of plastic, in excellent condition, packed in the original box. A three-pin DIN connector.

years 60's

nr: none

This microphone is actually labelled VEB Funkwerk Leipzig, but the warranty clearly indicates that it is already the RTF brand. A plastic specimen, the insert is covered with metal mesh. In excellent condition. With a three-pin DIN connector.

years 60's

nr: none

A piezoelectric microphone made in the 1960s. Made of plastic, with a membrane behind a nylon mesh. A socket for mounting on a stand at the bottom. A unique, unmistakable design. Contains a 3-pin DIN plug.

years 50's

nr: 36/363/1007

One of the first microphone series made by this company. A unique bakelite design with a thick-braided cable, ending with a old-type single-pin plug. Our microphone is still in beautiful condition.

years 50's

nr: none

A black version of KM/T70/53. Unfortunately, this is not the original support, but a home-made leg. The cable ends in a 3-pin DIN connector. This microphone works and offers a unique sound characteristic of the period.

years 50's

nr: none

One of the first microphone series made by this company. A bakelite design not used by anyone else, therefore unmistakable. Our microphone is in mint condition, very nicely preserved. A thickly-braided cord with an old-type single-pin plug at the end.

years 70's

nr: 4999 + 8705

A very interesting set consisting of a MV 102 preamplifier, an MK 102 capsule and two covers screwed on the capsule, which are responsible for changing the sound characteristics. The cone-shaped cover (NK 63) enables omnidirectional sound recording while the flat one enables directional recording. The whole thing is made of metal. With a 5-pin socket Unfortunately, the power pack and cable are missing.

years 80's

nr: 2079

An RFT/Gefell microphone with an N 692 power supply which allows for powering two such microphones at the same time. A nice-sounding, bright model recommended for the acoustic guitar and the piano. With a low-pass filter and a -10db dampener.

years 50's

nr: 212

Jeden z niewielu zachowanych okazów niemieckiego producenta z Drezna, wchłoniętego w latach 70tych przez RFT. Mikrofon lampowy, utrzymany w stylistyce „bottle”, przeznaczony do nagrań studyjnych. Stan wizualny dobry, w komplecie zasilacz do remontu i gruby gumowany kabel. Jeden z pierwszych w kolejce do uruchomienia.

years 40's

nr: 1366

A lovely find from the 1940s, manufactured by a Dutch firm Ronette. Complete, mounted on a solid metal support. Great design, visually attractive and very heavy. Our mike has a thick, stiff cable that features no connector.

years 50's

nr: 3315

A rare specimen, very seldom available at auction. This piezoelectric microphone from this Dutch manufacturer was equipped with two membranes, which was supposed to record sound without interference, help to fight vibrations and transfer signal by means of a longer cable. Our copy has a slightly worn cable with a jack connector. It has not been tested.

years 20's

nr: none

Fun fact from an English headphones, speakers and microphones manufacturer for civilian and military use. There are two concepts. One, that it is a microphone, also used as part of a hearing aid. The second, that it's a single-sided earpiece to protect ladies of the era from damaging their hairstyles. We bet on the first one. Our model is in perfect condition. Volume control at the bottom. Braided cable, plug with two pins.

years 60's

nr: 23265

A well-preserved piece of Saba S-D 7/200 dynamic microphone has arrived in its original box. The design from the 1960s was sold as an accessory to tape recorders of the same company. Good-quality plastic, a compact stand and a cable with a 3-pin DIN plug.

years 50’s

nr: none

The name Saja comes from the first syllables of the founders of the German company Sander & Janzen, which functioned in Berlin from the 1930s until the 1960s. The factory produced reel-to-reel tape recorders, and it is most probably that our example comes from one of them. The device made entirely of plastic, supported on a folding base. In very good condition. Connected with a standard 3-pin DIN plug.

years 70's

nr: none

A dynamic microphone from the well-known Japanese manufacturer from the 1970s. Small size, wholly made of plastic. A slide switch at the side. The cable with two jack connectors - 3.5 and 2.5 mm.

years 1960s

nr: none

The Schaub-Lorenz SM 100 microphone is practically identical to the Beyer M55. All metal, armoured, and sounding good. The difference is basically the absence of any brand logo. We learned about the Schaub-Lorenz from the sticker on the body. The SM 100 was an addition to the SL 100 reel-to-reel tape recorders of this brand. A plastic tripod is included.

years 90's

nr: 250898

This is our first Sennheiser from the Black Fire series. Its construction is relatively new - from the beginning of 1990s. It is made of plastic but the craftsmanship is quite sturdy. The cable socket is the standard XLR. It may not be the top shelf from this manufacturer, but it sounds interesting and may be useful in the studio.

years 1990s

nr: 31950

Another microphone in our collection from the recognized Black Fire series of the German manufacturer. Dynamic simple design with XLR socket. Made entirely of very good quality plastic. It will be useful in the studio and on stage. Our piece is in perfect condition, in the original box and cover.

years 60's

nr: 02056

One of the legendary products of the German company, whose sound and solid building fascinate producers all over the world. A good dynamic microphone for the studio and the stage. Silver version. Twin brother of Grundig 121, which you can also find on our website. The only difference is the 3PIN DIN cable socket at the back of the case.

years 70’s

nr: 07574

This omnidirectional dynamic microphone designed for recording vocals, acoustic guitar or wind instruments. Often called the "Tom Jones microphone", as it was one of the artist's favourites. Fully metal build, connected via standard DIN socket. The sound is interesting, beautiful "sand". Our piece is in box, case and with measurement document from 13 November 1970.

years 60's

nr: 5743

One of the first miniature studio microphones in the world. Durable and great-sounding closed structure awaited by the TV sector. The device is wholly made of metal, equipped with a clip and a lanyard. A very long cable ended with a Big Tuchel connector.

years 50's

nr: 31114

A dynamic microphone made entirely of metal, with high feedback resistance. The first design in which such a solution was used. The successor of the Labor W DM 4 S model. The letter ‘S’ in the name means the version with a switch on the housing. Equipped with a Big Tuchel socket with 5 pins.

years 80's

nr: none

This is one of the cheapest microphones from this brand. Dynamic, manufactured in the 1980s, wholly made of plastic. On a simple and delicate stand. The cable with a 3-pin DIN connector. Our copy is in a perfect condition, both visually and technically.

years 70's

nr: none

A metal, dynamic microphone from the other side of our western border. In a plastic case. Tripod stand. The cable should end with a DIN connector, but in ours it has been replaced with a big jack connector. It works very well.

years 1970s

nr: none

Sennheiser metal dynamic microphone with a black body. Decently made, great sounding. A plastic tripod is included. We already have this model in silver in our collection. This piece arrived to us in the original plastic case.

years 50's

nr: H/374979

One of jewels in our collection. An exceptionally neat, heavy, made with meticulous attention to detail. What’s more, it performs perfectly in recordings, offering a unique sound. Still much sought after. Relatively rare at auctions. The cable ends in a 1/4” jack plug. Our microphone is in mint condition.

years 70's

nr: 04973

With excellent sound, frequently used in recording, a microphone from the 1970s. A heavy and solid design with a tripod holder in the bottom part. A thick and stiff mini-jack cable.

years 60's

nr: none

A dynamic microphone from the German manufacturer. Kept in excellent technical and visual condition. Originally intended for radio recordings and conferences, today it finds lots of enthusiasts in the studio. Made wholly of metal, installed on a sturdy base. Tuchel connector.

years 70's

nr: none

One of Sennheiser’s models which were intended for the consumer segment at its time, but now its sound is interesting for many people. This plastic microphone was originally set on a tripod base. Unfortunately, we don’t have it. The base socket does not make it easy to set it up on a stand. The cable with a 3-pin din connector.

years 1986

nr: 1655

Another Sennheiser in ideal condition. Box, case, manual, and even a warranty card and receipt. Cost 139 marks. Plastic dynamic design, older brother of the MD 411. Switch on the top of the body. All set on a tripod base. Fixed cable, big jack plug.

years 70's

nr: 7999

Wholly made of metal, dynamic, vocal microphone, intended for recording singing and speech. Beautiful, full sound and perfect craftsmanship characteristic of microphones of this class. Impeccable condition. Connector - a small Touchel.

years 70's

nr: 16289

Excellent dynamic cardioid microphone ideal for studio and stage use. With a built-in pop filter, beautifully shaped bandwidth and very good sound. Heavy, solidly made, rather unusual in shape metal tool for professionals. Connected via DIN socket. Our example is in very good condition.

years 80's

nr: none

A very well preserved, absolutely complete, one of the less popular microphones of this brand. Made of plastic, very light, supported on a tripod stand with a characteristic handle. At the bottom of the structure, there is a ring enabling its adjustment to the speech or music. DIN plug with three pins.

years 60's

nr: 03636

A smaller version of MD420NT. Really tiny, but relatively heavy. Made of metal and plastic. Contains a Tuchel cable receptacle. Fixing on a conventional stand may be a problem due to its small form factor.

years 1980s

nr: 16823

This simple, dynamic microphone is the younger brother of the Sennheiser MD 431 model, which also comes from the recognised Profipower series. It is true that it is missing the switch on the body and the plastic it is made of differs from the type used for MD 431, but the sound is quite good. An XLR connector.

years 1980s

nr: 1549

MD 430 appeared in several versions. Interestingly, our -17T model does not appear in the Sennheiser catalogue. However, the inscription on the original box leaves no doubt. The device was designed for use in rooms with high sound levels (halls, stations, airports), equipped with feedback reduction systems, supercardioid characteristics and a dynamic “Speech” button. All metal. Big Tuchel 5-pin connector.

years 80's

nr: 23697

The Profipower series fully deserves its impeccable opinion. A dynamic microphone with great sound made of very good quality plastic for reporter and concert applications. With a switch on the upper part of the housing. An XLR connector.

years 70's

nr: 007077

One of the best dynamic microphones in the history. Good for everything. Beautiful, clear sound. A cut filter in the body. Excellent condition. The original stand and handle with locking device included. Big tuchel socket.

years 1960s

nr: none

Simple, dynamic plastic construction, equipped with a wire stand, designed for reel and cassette recorders. The MD 611 model has omnidirectional characteristics as opposed to the very similar MD 722 (cardioid characteristics). DIN 3 PIN plug. Our piece is in perfect condition in the original cardboard box with the instructions.

years 1960s

nr: none

Sennheiser MD 722 is the brother of the MD 611. They even had a common instruction and twin boxes. They differ in head design (722 is more open) and characteristics (722 - cardioid, 611 - omnidirectional). Simple plastic construction with a wire base. Din 3 PIN plug. Perfect condition.

years 50's

nr: 05328

We aren’t absolutely sure it’s Sennheiser, although the grill pattern and the name of this model could point to Sennheiser as the manufacturer. Entirely made of plastic and mounted on a sturdy support. Features a switch in the upper part. The cable ends in a 3-pin DIN plug.

years 70's

nr: none

A condenser microphone on a tripod, supplied with two interchangeable capsules, one with cardioid and one with omni-directional characteristics. The body features a switch. Powered from a 5.6 V battery. The cable ends in a 3-pin DIN plug. All packaged in plastic box.

years 70's

nr: 95855

A fully metallic stick-type microphone by Sennheiser. Sadly, ours has a number scratched by some genius on its body. Contains a 3-pin DIN receptacle.

years 1960s

nr: none

Shure 545 S Unidyne III Series 2 is one of the absolute stage and studio classics. Ancestor of SM 57. All metal made in the USA. A switch embedded in a massive metal body. Connected via the 4 PIN socket (91-MC4M). Valued and used in recording studios around the world to this day.

years 60's

nr: none

Solid, American dynamic construction made mostly of metal. Designed as a cheaper version of professional devices of this brand. On/off switch on the body. Good condition. Great for stage use, specially for vocals. The cable is built permanently, with a big jack at the end.

years 20's

nr: 670

A real rarity in our collection and one of the oldest specimens. A carbon microphone from the German company Siemens und Halske. We think this is the LB 5024 model and the manufacturing date can be seen on the body – December 1927. However, we will be grateful for any information because we could not find any data about it. The microphone is set on its original base.

years 70's

nr: 2561

A beautifully-sounding universal condenser microphone comparable to Neumann U87. In our opinion, this is a completely different hue. An excellently-made model equipped with a sound switch (surround, kidney, octal), M/V switch (music, vocals), dampener -10dB and the on/off switch on the bottom of the body (can be supplied from a 9V battery). An integrated tripod socket and an XLR cable input.

years 80's

nr: none

A tie microphone from the 1980s. A miniature capacitive design from a Japanese producer, powered by a 1.5 or 1.3 V battery (included). Our copy is complete - box, manual, battery, holder (clip). All in perfect visual and technical condition. Built-in small jack cable.

years 60's

nr: none

We have respect for this Japanese manufacturer's equipment, however, this simple dynamic microphone is one of the brand's lowest models. Despite this, the Sony F-27 is carefully made from good quality plastic. The cable is permanently attached and ends with a small jack plug. The set includes a box and manual, yet the original plastic stand is missing.

years 70's

nr: none

Japanese, stereophonic dynamic microphone. Excellently crafter, comes on a plastic stand. The cable with two chinch connectors responsible for sending signal for both channels. The set includes a screw-on adapter for a big jack connector.

years 1960s

nr: none

A simple, plastic, dynamic microphone with omnidirectional characteristics, produced in Oslo. Supplied in a plastic box in which we also find a plastic stand and a plastic handle for mounting on a tripod. Our piece is in perfect condition and original packaging.

years 70's

nr: 63065

An absolutely gorgeous TEAC microphone, which came to us from the US. Made with meticulous attention to detail. An example of reliable Japanese workmanship. A solid support balanced with a metal plate at the bottom. The cable ends in two 1/8” jack plugs.

years 80's

nr: none

A stereo microphone of a known and respected Japanese manufacturer. Powered by an AA battery. Very good condition. Cable with a jack plug. Unfortunately, the set does not include any base.

years 1960s

nr: none

All-metal dynamic microphone by the Japanese company Teisco, known in the music world mainly from the production of guitars. Armoured construction and absolutely cosmic design. The housing has a H/L switch, one PIN socket and a place for a tripod. The sound… hmmm, as to be expected. Very good visual and technical condition.

years ?

nr: none

One of the most mysterious microphones in our collection. Arrived in a box with the description "Dynam. Mikrophon fur Magnetophon mit Sockel und Ubertrager. EN. Nr. 55/9119 -1 -2 -3". Made of an unfamiliar material (ceramic base?) and we have never seen anything like this before. Have you? Do you know anything about it?

years 60's

nr: none

A simple condenser microphone in a plastic housing One of the most prestigious models of this popular German brand. It is quite difficult to find at auctions. The cable with a 3-pin DIN connector at the end.

years 60's

nr: 25350

We already have this AEG-branded model in our collection. Practically identical plastic construction with a gold grill, connected by a cable with a 3-pin DIN plug. Three-position music/speech/phone effect switch on the "back". Socket for tripod in the lower part of the case. Very good condition. Original box included.

years 60's

nr: none

Different colour version of the D77 (also known as AKG D-60S and AEG D77). Impressive stereo dynamic microphone that allows both the separation of the capsules and their arrangement in optimal proportion. Similar. The whole stands on a metal tripod. Includes a box and a second stand for positioning the two capsules independently. The cable ends in a 5-pin DIN plug.

years 50's

nr: 94032

Very nicely maintained, neatly rendered, an exemplary version with a beautiful logo on the front. Plastic with gold-plated grill. Type: dynamic. The speech/music switch on the back. The cable ended with a 3-pin plug. Twistable base allows fastening on the tripod.

years 60's

nr: none

An effective stereo-dynamic microphone with a design that allows both capsule separation and their arrangement in the optimal relation. Metal grilles set in a plastic framework. Set on a metal tripod. Another tripod is available that allows for setting both capsules separately. A cable with a 5-pin DIN connector at the end.

years 60's

nr: 08452

A brother of the Telefunken D9/A model that is seen less often. Made of plastic, equipped with an integrated base and a switch at the upper part of the body. Household and industrial use. The cable with a 3-pin DIN connector at the end.

years 60's

nr: 35115 DD

A representative of the German square mic series. Enclosed in a plastic box with a transparent lid. A solid, heavy structure propped against a plastic support. No stand hole. The cable ends in a 3-pin DIN plug.

years 1930s

nr: none

A unique piece in our microphone menagerie. Beautifully preserved carbon microphone from the 1930s for hanging in a frame, hence, the handles on the sides. Unfortunately, we do not have the right grip. To start it, you need a special power supply connected to two pins at the bottom of the housing. Twin brother of Ela M46, Siemens SM2, KVM2 models. Perfect condition. Original packaging.

years 60's

nr: 2962

Thanks to Wojtek, we found out that the microphone, untagged with producer's logo, probably originates from Telefunken factory. A plastic base with switch, a “gooseneck” and a small microphone with the number 2962 suggest that the device was used for station, airport or conference communication.

years 30's

nr: none

An early carbon design made of bakelite by the reputable German manufacturer. Intended for hand recording, possibly close to the source of sound. Our collection includes the S version with an in-built switch. We have two such pieces in boxes. One is for sale.

years 30's

nr: none

One of the greatest rarities in our collection. It has its own history. Manufactured in 1936, it was used at the studio of the Polish Phonographic Works “MUZA”. Exceptionally heavy - 4.2 kg with the base! Preserved in relatively good condition, still before renovation.

years 1970s

nr: 02671

A well-preserved dynamic conference microphone. Mounted on the original M820 base equipped with a “goose neck” and a switch with a control diode. A characteristic Plexiglas cover with the company name is mounted on the grill. Cable ending with a DIN 7 PIN plug. Perfect condition.

years 60's

nr: 376

The twin brother of AEG MGT K 10. Solid, wholly made of metal. A plastic circular switch on the top part of the body. There are three holes on the back wall which probably allow for an alternative connection of the microphone. The cable with a 3-pin DIN connector.

years 70s

nr: none

The condenser microphone with kidney characteristics with an external power pack with two 9V batteries. The structure is completely made of metal and is placed on a tripod base. The body of our specimen is a bit soiled and has no windshield. 3-pin DIN cable

years 60's

nr: none

Another model in the square series made by this company. Neatly designed, but made of less durable plastic. Supported on a cheap plastic leg, but features a microphone stand hole at the bottom. A voice/music switch at the back. Plug: a 3-pin DIN.

years 70's

nr: none

Another decade and a new design of budget microphones by Telefunken. A small-sized dynamic microphone on a metal stand. A short cable with a 3-pin DIN plug at the end. Interestingly, the Polish market had its own Telefunken – Tonsil MDU 22.

years 60's

nr: none

A dynamic Telefunken microphone with a non-standard shape. It must have stood out from its square-shaped product family. Heavy, rather unappealing visually, on a shoddy support and without a microphone stand hole. However, it’s quite often used in experimental sessions. The cable ends in a 3-pin DIN connector.

years 60's

nr: none

Dynamic microphone made of metal. The original has a wire base. The cable with a 3-pin DIN connector at the end. This piece is a gift - thank you, Beata!

years 70's

nr: none

Plastic, dynamic Telefunken sold with the appropriate tape recorder. Its thin and delicate wire can be hidden in the back of the housing. The whole of it is a bit rickety. There is a switch on the front panel. Cable with a double DIN plug.

years 60's

nr: 064476

Another piece from this producer's TD series of dynamic models. Don't be fooled by its visual delicacy. It is a solidly built, metal construction. Wire stand included. Fixed cable, terminated with a DIN 3 pin plug. Our item in original box.

years 60's

nr: 31-225-002-40

A reporter microphone by Telefunken of quite a non-standard Telefunken shape. The body features a plastic switch and gain adjustment control. The head contains a recording level indicator. The cable ends in a 5-pin DIN plug.

years 60's

nr: none

A smaller and lighter brother of TD 60. A dynamic microphone from the German manufacturer, completely made of plastic, set on the base from the same material. An M/S (music/speech) switch on the lower part of the body, the volume control is on the upper part. A cable with a 5-pin DIN connector.

years 1960s

nr: none

A small, dynamic microphone attached to the reporter’s tape recorder Magnetophon 4001 G manufactured by Telefunken Deutschland in the 1960s. I am surprised by the quality of this trifle. The device is completely metal, equipped with a mounting clip and belt pouch. Switch in the body. A wire rack was also included, but unfortunately our piece does not have one. Cable with two DIN plugs - 5 and 3 PIN.

years 60's

nr: none

A plastic dynamic microphone, relatively big, equipped with a switch in the lower part of the housing and a potentiometer in the upper part of the housing. The plastic base is independent of the handle in which we will find a socket for a tripod. 3-pin DIN connector.

years 60's

nr: none

Plastic, dynamic, mounted on a tripod screwable stand. No additional functions. A short cable with a DIN plug with three pins. One of less impressive models of this brand.

years 60's

nr: none

A dynamic square microphone by Telefunken. Packaged in box characteristic of the series. This is a light, plastic microphone, with a rather mediocre design, but includes a hole for mike stand thread. A cable ending with a 3-pin DIN connector.

years 70's

nr: none

An old Polish military microphone. Very heavy. This design can survive all conditions. No possibility of checking this one though.

years 50's

nr: none

An entire series of these Tesla microphones was released in the ‘50s. Sometimes the only difference was in the colour of the body. The microphone has a 3-pin connector at the bottom – a distinctive feature of this company’s products. Our microphone has experienced a severe internal trauma :). No chance to connect it, but looks beautiful on the wallpaper.

years 50's

nr: none

A uniquely-shaped microphone from Czechoslovakia. Rather uninspiring design, it has its own charm. No logo, serial number or model name on the body. Courtesy of oldmics.cz. Not sure if it works.

years 50's

nr: none

An eye-catching shape, it’s a neatly made model from the 1950s. The logo is embossed on the top of the body; there’s no serial number or model name. A characteristic 3-pin cable connector at the bottom. A really nice-looking microphone.

years 50's

nr: none

A beautifully made heavy and solid microphone by TESLA, wholly made of metal. The unique and interesting design deserves special attention. The socket has three pins. An atypical shallow tripod holder right behind it.

years 60's

nr: none

A classic plastic Tesla microphone of the period. Small form factor. Our model has an orange mesh, but there were also microphones with a green one. The cable ends in a DIN plug.

years 60's

nr: none

Larger than AMD 103, but of very similar shape. Also made of plastic. The microphone is very nicely preserved. In the picture, it was placed on a stylish support, not included in the original set. A DIN cable.

years 60's

nr: none

Another microphone from the AMD series. Its design dates back to the 1970s. An angular, rather unappealing microphone. Probably the most common Tesla microphone at auctions in Europe. An identical model under the name AMD 105 can be found on the internet. Features a cable with a DIN connector.

years 60's

nr: none

Another model by Tesla from late 60s/early 70s. Very common in Poland. As for the looks, it doesn’t differ from Tesla standards of the time. The cable ends in a standard DIN connector.

years 60's

nr: none

A popular Tesla microphone from that period. Apart from AMD 104, it’s the most attractive (and simple) design in the series. Rests on a metal support, on which the model symbol can be found. Our microphone is in very good condition.

years 60's

nr: none

A beautifully preserved Tesla dynamic microphone from the 1960s. Virtually new. Due to a very untypical appearance, the microphone was nicknamed a "hairdryer". An M/S handwheel switch on the body. The cable ends in a 3-pin DIN plug.

years 70's

nr: 384382262251

A dynamic, plastic microphone from our southern neighbours. Fully operative. It was available with a light and black head. Manufactured in the 1960s and 1970s. It can be concluded from the inscription on the box that ours was manufactured in 1977. Cable with a DIN plug.

years 1970s

nr: none

A well-preserved AMD 210 piece. A model similar to the one in the 200 collection, but with a larger range. On the case, the ring in the S position suppressing around 50 Hz by -10db. Din 3 PIN plug. Our piece is in perfect condition. Includes case, instruction manual and proof of purchase (Z.U.R. & T. Szczecin 10.08.1979).

years 1960s

nr: none

A simple dynamic microphone from Czechoslovakia made of plastic with a metal grille. An anti-slip foot on the bottom of the housing. Sold together with the Tesla Start cassette recorder. The model was also available in the grey colour. Our specimen is in its original box. A cable with a 3-pin DIN connector at the end.

years 50's

nr: 42

A beautiful piece, we decided to put in a the Neumann section. A tube condenser microphone with a built-in power supply, which unfortunately generates noise, unacceptable today. A switch of characteristics. A relatively rare chrome-plated version. Ours is in perfect condition.

years 1980s

nr: none

We don't know much about these plastic microphones, even though they arrived in very good condition and in the original packaging. They were probably an addition to the TIP-TOP brand tape recorders distributed in Germany, produced by manufacturers from Japan and Taiwan. Equipped with a plastic stand, switch in the body and cable ended with a DIN 5 pin (9020) plug or a double 2.5 and 3.5 mm jack (9010).

years 80's

nr: none

A Polish stereophonic microphone. Contains the same transmitters as MDU-24. An intensely red plastic microphone on a simple plastic support. Sold for 3,500 PLN in its heyday. Commended by Unitra fans for good recording quality and low sensitivity to external conditions. Easily fits a standard microphone holder.

years 90's

nr: none

According to the manual, the MD 268 dynamic microphone was produced in up to 13 versions and was designed for home recordings and amateur music bands… The cord ends in a DIN 3 pin plug (WM-345).

years 70's

nr: none

A small design for amateur use. Adapted for cassette recorders, the microphone body has a switch for operating the cassette recorder (the WZ version). All of this mounted on a plastic leg and packaged in a box with a transparent lid, typical of the period. Two DIN connectors: 3- and 5-pin plugs.

years 70's

nr: none

One of the better-designed Tonsil microphones for home use. Resting on a wire support, packaged in a standard box with a transparent lid. The cable ends in a 3-pin DIN plug.

years 70's

nr: none

Presumably the most popular Tonsil microphone in Poland. A simple light plastic structure on a wire support. Used in popular reel-to-reel tape recorders. Every other household had one.  Enclosed in a standard box with a transparent top. A 3-pin DIN plug.

years 70's

nr: none

A plastic dynamic microphone for cassette recorders. Mounted on a wire support. A clone of the German Telefunken TD 12. Small and light. A short cable ends in a 3-pin DIN plug.

years 80's

nr: none

A stereophonic Unitra Tonsil microphone manufactured on a licence by MB Electronic. A clone of Grundig GDSM 331. Mounted on a plastic tripod. Connected by means of a 5-pin DIN plug.

years 70's

nr: none

A Tonsil microphone targeting more demanding users, the so-called "mid range". Designed mainly for the stage. Much bigger than other models, more reliable, with a strong, good quality output. Mounted on a plastic tripod, packaged in a flexible plastic sponge-padded box. Features a 3-pin DIN plug.

years 70's

nr: none

A plastic microphone on a wire support. To be used with a tape recorder. Another instance of our domestic technology of the 1970s. The cable ends in a 3-pin DIN plug.

years 90's

nr: none

A plastic microphone for cassette recorders. Made as late as the 1990s. It’s a different type of plastic, but the design is still far from eye-catching. The body features a switch. Packaged in a simple cardboard box. The cable ends in a DIN plug.

years 60's

nr: 24502

This square-shaped microphone by Tonsil proudly displays a ‘Made in Poland’ logo at the front. A heavy microphone, quite angular design, supported on an extended wire leg. A very thick, stiff cable ends in a 1/4” jack plug.

years 60's

nr: none

One of the earliest microphones made by this Polish company. A two-colour, black & white body of an exceptionally simple shape. No support or stand hole. Very narrow frequency response. Definitely for amateur and experimental purposes. A shockingly thick, inflexible cable must have been a nightmare to use. A single-pin legacy plug.

years 60's

nr: none

Another version of MK II, a simple microphone for Tonsil portable tape recorders. This time in a grey & grey colour range :) Equally sparse in terms of accessories. A thick, incredibly stiff cable ends in a 3-pin DIN plug.

years ?

nr: none

This is the first Toshiba microphone on Oldmics.pl websites. It is probably a dynamic design attached to one of the Japanese tape recorders. Plastic housing with a tripod socket in the base. The whole is supported by a wire rack. Chipped upper corner of the housing.

years ??

nr: 3572

We don't know much about this piece. A product from New York, only a few models with TR in their names were produced. The microphone has a bakelite housing and is installed on a solid metal base by Astatic. All hints are welcome.

years 50's

nr: none

A very rare model by Uher. Made of plastic, fairly solid with a fold-out plastic support. An untypical jumper at the back of the plastic body for selecting resistance. The last letters of the model name, D9, may suggest some affinity with Telefunken and Labor. The cable ends in a 3-pin DIN plug.

years 60's

nr: none

The twin brother of the AKG microphone with the same designation. The cable with a 3-pin DIN connector at the end. At the bottom part, there is a socket which allows for installing it on a tripod. There is a speech/music switch at the back.

years 60's

nr: none

A simple plastic dynamic microphone manufactured in the years 1968-1976. A short and delicate cable with a 3-pin DIN connector. Comes with a wire base. Our microphone is in the collector condition.

years 60's

nr: none

Probably Uher 534’s predecessor. A great dynamic microphone with a unique and interesting sound. Highly recommended for recordings. A voice/music switch at the back of the plastic body. A wire support and a stand hole. A cable with a 3-pin DIN plug.

years 70's

nr: none

One of the most commended microphones made by this company. A real legend by Uher, which can be bought for a fairly modest sum. Suitable for recording percussion, in particular cymbals. Great design with a solid metal body. Features a voice/music switch. Mounted on a metal tripod. The cable ends in a DIN plug.

years 1970s

nr: none

An excellent studio dynamic microphone with great sound, comparable with the best models of other German brands. Full metal construction with dedicated handle. M/S switch in the body. A wire tripod is included. Tuchel socket. Our piece is in excellent technical and visual condition. Original packaging.

years 70's

nr: none

An interesting stereophonic construction by a well-known brand. The craftsmanship is not overwhelming this time. The microphone is wholly made of plastic, is very light and supported by a delicate wire tripod. The cable has a five-pin DIN connector. It is possible to unfold both parts horizontally which makes it possible to adjust the width of the stereo base.

years 70's

nr: none

A dynamic stereo cardioid microphone made of plastic with characteristic openwork capsule covers. Set on a tripod allowing for changing the position of both microphones. Cable with a 5-pin DIN connector. An inexpensive but very rarely-encountered design. National rarity. Our set includes the original box, user instructions, receipt and the warranty card.

years 1980s

nr: none

Miniaturowy mikrofon MDU-43 przeznaczony był do użytku profesjonalnego. Ze względu na trwałość (w całości metalowy) i niewielkie rozmiary idealnie nadawał się do umieszczenia na tzw. „gęsiej szyi”. Dlatego zdominował radiowęzły, konferencje, mównice, gdzie świetnie sobie radził. Gniazdo DIN 3 pin. Nasz egzemplarz na stylowej podstawie z włącznikiem sygnowanej logo Politechniki Wrocławskiej. Pozdrawiamy!

years 40's

nr: none

Produced by Webster Chicago Corporation, a crystal microphone, probably part of a tape recorder for which the brand was famous in the 40s. The fully metal construction came with a special stand, mount. Unfortunately, our little one does not include this.

years 50's

nr: 01531

The crystal microphone, manufactured in 1955-1959 in Poland by Zakłady Wytwórcze Głośników in Września (later Tonsil). Bakelite construction, equipped with on/off switch in the upper part of the body. We thank mr Zasław Adamaszek for his help in the identification process.

years 60's

nr: none

Dynamic microphone manufactured in the 1960s by Zakłady Wytwórcze Głośników in Września (later Tonsil). An original, designer construction of plastic set on a base of the same material. Our model looks very good, it was supplied with a box and a cable with a transformer using a DIN 5 pin connector.